Artist in residence exhibition at Craft and Design Canberra, 2025

  • How, 2024, egg tempera, copper gilding on gesso board, 20 x 20cm, photo by artist
  • Pink's grasp, 2024, egg tempera, copper gilding on gesso board, 20 x 20cm, photo by artist
  • Galah's clutch, 2024, egg tempera, silver gilding on gesso board, 20 x 20cm, photo by artist
  • Who, 2024, egg tempera, silver gilding on gesso board, 20 x 20cm, photo by artist
  • Where, 2024, egg tempera, gold gilding on gesso board, 20 x 20cm, photo by artist
  • Scarlett's embrace, 2024, egg tempera, gold gilding on gesso board, 20 x 20cm, photo by artist
  • LOOP exhibition view of Who, How, When and friends - egg tempera works
  • Michele England at LOOP exhibition
  • Brake fast, 2024, mixed media, 27 x 39 cm, phot by artist
  • T Time, 2024, mixed media textile, 36 x 39cm, photo by artist
  • LOOP view of exhibition
  • Michele England, Jo Mahler-Fenderson, Yalan Chen at LOOP opening, Barton ArtBox, 2024
  • Jo Mahler-Fenderson at installation of LOOP
  • Yalan Chen with some of her artwork from LOOP

Looking After Our Planet (LOOP), with Jo Mahler Fenderson and Yalan Chen, at Barton Artbox 2024

  • Heavy flight: to look beyond, 2024, Pigment print on Hahnemühle photo rag, silver leaf, metal wire, glass beads, textile cord unique state, 90 x 30cm, photo Brenton McGeachie
  • Heavy flight: stance of forgiveness, 2024, Pigment print on Hahnemühle photo rag, silver leaf, metal wire, glass beads, textile cord unique state, 90 x30cm, photo Brenton McGeachie
  • Heavy flight: ruffled by thoughts, 2024, Pigment print on Hahnemühle photo rag, silver leaf, metal wire, glass beads, textile cord unique state, 90 x 30cm, photo Brenton McGeachie
  • Breaking ground exhibition view, photo Brenton McGeachie
  • Breaking ground exhibition view, photo Brenton McGeachie
  • Breaking ground exhibition view, photo Brenton McGeachie
  • Breaking ground exhibition view, photo Brenton McGeachie
  • Breaking ground exhibition view of participatory floor pieces, photo Brenton McGeachie
  • Breaking ground exhibition view of participatory floor pieces, photo Brenton McGeachie
  • Breaking ground exhibition view, photo Brenton McGeachie
  • A walk by the Murrumbidgee in High Summer, 2024, 120 x 100, oil on wooden panel, Photo Brenton McGeachie
  • Breaking ground exhibition view, photo Brenton McGeachie
  • Compromised beauty,2023, mixed media,160 x 60cm, photo Brenton McGeachie
  • Breaking ground exhibition view, photo Brenton McGeachie
  • Breaking ground exhibition view, photo Brenton McGeachie
  • Breaking ground exhibition view, photo Brenton McGeachie
  • Altar'd: raven at my table (blue), 2024, Mahogony, reclaimed art frame, rhinestones, plastic bottle lids, gouache, rabbit skin glue, metal hinges, 25 x 14cm(closed), side view, photo Brenton McGeachie
  • Altar'd: raven at my table (blue), 2024, Mahogony, reclaimed art frame, rhinestones, plastic bottle lids, gouache, rabbit skin glue, metal hinges, 25 x 14cm(closed), front view, photo Brenton McGeachie
  • Altar'd, talking to the birds (black) ,2024 ,mixed media, 25 x 14cm closed, front view, photo Brenton McGeachie
  • Altar'd, talking to the birds (green), 2024, mixed media, 25 x 14cm closed, side view, photo Brenton McGeachie
  • Altar'd, talking to the birds (green), 2024, mixed media, 25 x 14cm closed, front view, photo Brenton McGeachie
  • Breaking ground exhibition view, photo Brenton McGeachie
  • Breaking ground exhibition view, photo Brenton McGeachie
  • Breaking ground exhibition, weeds and wildlife set of 6, photo Brenton McGeachie
  • Breaking ground exhibition, weeds and wildlife set of 2, photo Brenton McGeachie
  • Weeds and wildlife: thistle flower and flutter, 2024, mixed media, 74 x 33cm, photo Brenton McGeachie
  • Weeds and wildlife: St John’s wort and not so creepy crawly, 2024, mixed media, 98 x 28cm, photo Brenton McGeachie
  • Breaking ground exhibition, weeds and wildlife set of 2, photo Brenton McGeachie
  • Weeds and wildlife: callistemon and busy worker, 2024, mixed media, 91 x 26cm, photo Brenton McGeachie
  • Weeds and wildlife: nightshade et le papillon de nuit, 2024, mixed media, 43 x 29cm, photo Brenton McGeachie
  • Breaking ground exhibition, weeds and wildlife set of 2, photo Brenton McGeachie
  • Weeds and wildlife: Verbascum and prayer, 2024, mixed media, 79 x 24cm, Photo Brenton McGeachie

Breaking Ground: Chaos theory and The Valley with Heidi Smith, at TAC, 2024

  • Il faut cultiver notre jardin exhibition view of 16 works, 2024, egg tempera on traditional gesso boards, 13 x 13cm each, photo Brenton McGeachie
  • Il faut cultiver notre jardin exhibition view of 8 works, 2024, egg tempera on traditional gesso boards, 13 x 13cm each, photo Brenton McGeachie
  • Il faut cultiver notre jardin exhibition view of 8 works, 2024, egg tempera on traditional gesso boards, 13 x 13cm each, photo Brenton McGeachie
  • Il faut cultiver notre jardin exhibition view, photo Brenton McGeachie
  • Pray for us: charming emergence, 2024, mixed media, 43 x 28cm, photo Brenton McGeachie
  • Pray for us: peaceful prosperity, 2024, Studio made inks, watercolour, reclaimed beads, trinkets and doily, charcoal, graphite, rice paper on paper, 45 x 29.5cm, photo Brenton McGeachie
  • Pray for us: life capsules, 2024, Studio made inks, watercolour, reclaimed beads, trinkets and doily, charcoal, graphite, rice paper on paper, 45 x 29.5cm, photo Brenton McGeachie
  • Pray for us: continual unfurling, 2024, Studio made inks, watercolour, reclaimed beads and trinkets, charcoal, graphite, rice paper on paper, 45 x 29.5 cm, photo Brenton McGeachie
  • Il faut cultiver notre jardin exhibition view, photo Brenton McGeachie
  • Il faut cultiver notre jardin exhibition view, photo Brenton McGeachie
  • The toil of many in a single pursuit, 2023, egg tempera, graphite, rice paper on board, 40 x 40cm, photo Brenton McGeachie
  • Slow down and admire her quiet determination, 2023, egg tempera, graphite, rice paper on board, 40 x 40cm, photo Brenton McGeachie
  • Life through death in a continual cycle, 2023, egg tempera, graphite, rice paper on board, 40 x 40cm, photo Brenton McGeachie
  • Il faut cultiver notre jardin exhibition view, photo Brenton McGeachie
  • Il faut cultiver notre jardin exhibition view, photo Brenton McGeachie
  • Wonderful wren, 2023, egg tempera, faux fur scrap, faux silver leaf, reclaimed beads and trinkets on board, 36 x 24cm, photo Brenton McGeachie
  • Il faut cultiver notre jardin exhibition view, photo Brenton McGeachie
  • Espirit d'jardin, 2024, egg tempera and gold leaf on traditional gesso boards, 240 x 140cm, photo Brenton McGeachie
  • Il faut cultiver notre jardin exhibition view, photo Brenton McGeachie
  • Il faut cultiver notre jardin exhibition view, photo Brenton McGeachie
  • Il faut cultiver notre jardin exhibition view, photo Brenton McGeachie
  • Rose and friends: a gift of love, 2024, oil on board, 50 x 40cm, photo Brenton McGeachie
  • Peony and friends: a gift for you, 2024, oil on board, 50 x 40cm, Photo Brenton McGeachie
  • Lily and friends: a gift from the garden, 2024, oil on board, 50 x 40cm, photo Brenton McGeachie
  • Joyous wren, 2023, Egg tempera, faux fur scrap, faux silver leaf, reclaimed glass beads and trinkets on board, 36 x 24cm, photo Brenton McGeachie
  • Il faut cultiver notre jardin exhibition view, photo Brenton McGeachie
  • Softly revealing, 2024, egg tempera, graphite, rice paper, faux copper leaf on board, 40 x 25cm, photo Brenton McGeachie
  • The promise of life when the cold bites hard, 2024, Egg tempera, graphite, rice paper, faux gold leaf on board, 40 x 25cm, photo Brenton McGeachie
  • Just a few feathers, was all that remained, 2024, egg tempera, graphite, rice paper, faux silver leaf on board, 40 x 25cm, photo Brenton McGeachie
  • Il faut cultiver notre jardin exhibition view, photo Brenton McGeachie

Il faut cultiver notre jardin, solo at ANCA Gallery 2024

4 painting/ mixed media series for the Master of Philosophy completed at Australian National University 2020 – 2022

  • A set of reclaimed plates featuring Gymnobelideus leadbeateri (Leadbeaters possum), barrier tape and logging operations, based around Gippsland logging
  • detail of Leadbeaters possum (Gymnobelideus leadbeateri)on pink lattice plate
  • It started with a flash and ended in a flood, 188 x 167cm, 2019
  • Great Scott, oil on wood, 2015. This view shows wing open. The Delorean has arrived in the SOund of Music with an altered future
  • Great Scott, oil on wood, 2015. The Delorean comes Back to the Future having made some unexpected changes
  • Bang, fizz, wizz. the Delorean arrives back from to past, or that the future
  • Great Scott, oil on wood, 2015. I made this one off piece for the CCAS member show 2015
  • Great Scott, oil on wood, 2015. This piece has a wing that opens and closes
  • Rising tides and sunk dreams, detail
  • Rising tides and sunk dreams, detail
  • Rising tides and sunk dreams, detail
  • Rising tides and sunk dreams, detail
  • Rising tides and sunk dreams, 160 x 120cm, 2018

Paintings that have appeared in prizes or other venues

  • Not so vacant possession, 2018, screen printed reclaimed fabric, wool and cotton thread, woollen blanket, cotton wadding, 75 x 66cm, photo Brenton McGeachie
  • Not so vacant possession, 2018, screen printed reclaimed fabric, wool and cotton thread, woollen blanket, cotton wadding, 75 x 66cm, photo Brenton McGeachie
  • Not so vacant possession, 2018, screen printed reclaimed fabric, wool and cotton thread, woollen blanket, cotton wadding, 75 x 66cm, photo Brenton McGeachie
  • The downtrodden, 2018, screen printed reclaimed fabric, plastic chain and figures, enamel paint, cotton thread, woollen blanket, cotton wadding, 86 x 108cm, photo Brenton McGeachie
  • The downtrodden, 2018, screen printed reclaimed fabric, plastic chain and figures, enamel paint, cotton thread, woollen blanket, cotton wadding, 86 x 108cm, photo Brenton McGeachie
  • The downtrodden, 2018, screen printed reclaimed fabric, plastic chain and figures, enamel paint, cotton thread, woollen blanket, cotton wadding, 86 x 108cm, photo Brenton McGeachie
  • There’s no place like home, 2018, screen printed reclaimed fabric and map, wool and cotton thread, woollen blanket, cotton wadding, 62 x 52cm, photo Brenton McGeachie
  • There’s no place like home, 2018, screen printed reclaimed fabric and map, wool and cotton thread, woollen blanket, cotton wadding, 62 x 52cm, photo Brenton McGeachie
  • On the brink, 2018, screen printed reclaimed fabrics, plastic barrier tape, buttons, woollen blanket, cotton wadding, 105 x 79cm, photo Brenton McGeachie
  • On the brink, 2018, screen printed reclaimed fabrics, plastic barrier tape, buttons, woollen blanket, cotton wadding, 105 x 79cm, photo Brenton McGeachie
  • On the brink, 2018, screen printed reclaimed fabrics, plastic barrier tape, buttons, woollen blanket, cotton wadding, 105 x 79cm, photo Brenton McGeachie
  • On the brink, 2018, screen printed reclaimed fabrics, plastic barrier tape, buttons, woollen blanket, cotton wadding, 105 x 79cm, photo Brenton McGeachie
  • State of emergency, 2018, screen printed reclaimed fabric, brass safety pins, bandage, cotton thread, hospital blanket, cotton wadding, 62 x 54cm, photo Brenton McGeachie
  • State of emergency, 2018, screen printed reclaimed fabric, brass safety pins, bandage, cotton thread, hospital blanket, cotton wadding, 62 x 54cm, photo Brenton McGeachie
  • Fragments, 2018, screen printed reclaimed fabrics, builders synthetic line, cotton thread, heart charms, woollen blanket, cotton wadding, 68 x 51cm, photo Brenton McGeachie
  • Fragments, 2018, screen printed reclaimed fabrics, builders synthetic line, cotton thread, heart charms, woollen blanket, cotton wadding, 68 x 51cm, photo Brenton McGeachie
  • Fragments, 2018, screen printed reclaimed fabrics, builders synthetic line, cotton thread, heart charms, woollen blanket, cotton wadding, 68 x 51cm, photo Brenton McGeachie
  • Landscape divided, 2018, screen printed reclaimed fabric, cotton thread, bed sheet, cotton wadding, 200 x 200cm, photo Brenton McGeachie
  • Landscape divided, 2018, screen printed reclaimed fabric, cotton thread, bed sheet, cotton wadding, 200 x 200cm, photo Brenton McGeachie
  • Tea towels made for Woodlands and Wetlands Trust, Nature Coast Marine Group, Foundation for Australias Most Endangered, Conservation Council ACT region, Photo Brenton McGeachie
  • Remnants exhibition, held CCAS Manuka 15 - 25/11/18. Photo Brenton McGeachie
  • Remnants exhibition, held CCAS Manuka 15 - 25/11/18. Photo Brenton McGeachie
  • Remnants exhibition, held CCAS Manuka 15 - 25/11/18. Photo Brenton McGeachie

Remnants, Canberra Contemporary ArtSpace, Manuka 2018

  • Leave our trees (front), 2018, 50 x 50 x 8, cotton velvet and reclaimed teatowel, haberdashery trim, cotton embroidery with feather filling
  • Leave our trees (back), 2018, 50 x 50 x 8, cotton velvet and reclaimed teatowel, haberdashery trim, cotton embroidery with feather filling
  • Going, going, gone, (front), 2018, 50 x 50 x 8, linen and reclaimed teatowel, cotton & wool embroidery with feather filling
  • Going, going, gone, (back), 2018, 50 x 50 x 8, linen and reclaimed teatowel, cotton & wool embroidery with feather filling

Obsessive Impulsion, group show at CCAS, 2018

  • Altered States without video overlay
  • The templum viewing point, INstrallation as part of Altered States. Templum exhibition 2017
  • Altared States video install (dinasours 2017 video and audio projection 1:38 minutes) last day of Templum exhibition
  • Altered States - with video overlay. No paintings
  • Altared States - central panel
  • Altared States - central panel
  • Altared States - right panel
  • Ursus maritimus(too little ice) & Pusa hispida, 2017, 19x4, 13x13, gouache on repurposed plate and wallpaper
  • Ursus maritimus(too little ice) & Pusa hispida (detail)
  • Ursus maritimus(too little ice)
  • Fratercula & Clupea harengus (too slow) (detail of puffin)
  • Burramys parvus (too late) & Agrotis infusa, 2017, 30x23, 22 diameter, gouache on wood and repurposed doily
  • Burramys parvus (too late) & Agrotis infusa, 2017, 30x23, 22 diameter, gouache on wood and repurposed doily
  • Out of balance, 2017, 37x25x12, repurposed wooden box, velvet, oil on glass, shells, faux pearls, LED lights, napkin ring, fimo, brass knob
  • Too late, the brood has hatched, 2017, 35x30x8, repurposed wooden box, velvet, eggs, plaster, old aperitif glasses, repuposed doily, LED lights
  • Too late, the brood has hatched, 2017, 35x30x8, repurposed wooden box, velvet, eggs, plaster, old aperitif glasses, repuposed doily, LED lights
  • Great white bear, nowhere to hide, 2017, 29x20x12, repurposed wooden box, decoupage with ink, old handle, fur, gouache on wood, wind up music box, jewellary, plastic bottle
  • Great white bear, nowhere to hide, 2017, 29x20x12, repurposed wooden box, decoupage with ink, old handle, fur, gouache on wood, wind up music box, jewellary, plastic bottle
  • Great white bear, nowhere to hide, 2017, 29x20x12, repurposed wooden box, decoupage with ink, old handle, fur, gouache on wood, wind up music box, jewellary, plastic bottle
  • Great white bear, nowhere to hide, 2017, 29x20x12, repurposed wooden box, decoupage with ink, old handle, fur, gouache on wood, wind up music box, jewellary, plastic bottle
  • Sleeping through the glut, 2017, 33x20x6, repurposed wooden box, old textiles, decoupage, wind up music box, old clock parts, wool, faux flowers
  • Sleeping through the glut, 2017, 33x20x6, repurposed wooden box, old textiles, decoupage, wind up music box, old clock parts, wool, faux flowers
  • Sleeping through the glut, 2017, 33x20x6, repurposed wooden box, old textiles, decoupage, wind up music box, old clock parts, wool, faux flowers
  • Spring flowers are waning, 2017, 35x22x17, repurposed wooden box, velvet, glass bottles, paper on wood, wind up music box, old glass figurine, repuposed doily, wool, LED lights
  • Spring flowers are waning, 2017, 35x22x17, repurposed wooden box, velvet, glass bottles, paper on wood, wind up music box, old glass figurine, repuposed doily, wool, LED lights
  • Hoping between the ice, 2017, 48x35x10, wood, old doily, plastic figurines, decoupage, old crystal trinket holders, oil on wood
  • hoping between the ice, 2017, 48x35x10, wood, old doily, plastic figurines, decoupage, old crystal trinket holders, oil on wood
  • Looking, interior to coral fields, 2017, 40x50, 30x15, (diptych), oil on board

Templum, solo exhibition at M16 Gallery, 2017

  • La Chinoise poster, 2016, Acrylic on canvas, 95 x 145cm
  • Bleu, 2016, Oil on board, 40 x 78cm
  • Les Enfants du Paradis poster, 2016, Acrylic on canvas, 95 x 145cm
  • Le passion de Jeanne d'Arc #2, 2016, Gouache on board, 38 x 18cm
  • Le passion de Jeanne d'Arc #3, 2016, Gouache on board, 25 x 18cm
  • Le passion de Jeanne d'Arc #1, 2016, Gouache on board, 25 x 18cm
  • Le grand Bleu poster, 2016, Acrylic on canvas, 95 x 145c
  • Un papillon francais #1, 2016, Gouache on board, 18 x 18cm
  • Un papillon francais #2, 2016, Gouache on board, 18 x 18cm
  • Un papillon francais #3, 2016, Gouache on board, 18 x 18cm
  • Le Cercle Rouge poster, 2016, Acrylic on canvas, 95 x 145cm
  • Le gnome, 2016, Gouache on board, 18 x 18cm
  • Lollipops, 2016, Gouache on board, 18 x 18cm
  • L'artichauts, 2016, Gouache on board, 18 x 18cm
  • Le lettre, le fabricant, 2016, Oil on canvas, 30 x 51cm
  • la Lettre, le recepteur, 2016, Oil on canvas, 30 x 51cm
  • Le clown, 2016, Gouache on board, 18 x 18cm
  • Le Jogleur, 2016, Gouache on board, 18 x 18cm
  • L'acrobate, 2016, Gouache on board, 18 x 18cm
  • La Haine poster, 2016, Acrylic on canvas, 95 x 145cm
  • Ancienne maison, 2016, Gouache on board, 18 x 18cm
  • Nouvelle maison, 2016, Gouache on board, 18 x 18cm
  • Chiens de Mon Oncle, 2016, Gouache on board, 18 x 18cm
  • Pepe le Moko poster, 2016, Acrylic on canvas, 95 x 145cm

Painting Film, a solo exhibition celebrating 100 years of french cinema at Alliance Francaise, Canberra, 2016

  • Psuedophryne corroboree, 2016, Guoache on board, 24 x 9cm
  • Burramys Parvus, 2016, Guoache on board, 47 x 22cm
  • Installation view of boards, 2016
  • Lasiorhinus Krefftii,2016, Gouache on board, 18 x 12cm
  • Acanthornis magna greeniana, 2016, guoache on board, 16 x 12cm
  • Lasiorhinus Krefftii,2016, Gouache on board, 18 x 12cm
  • Looking (front), 2016, repurposed tea toel, embroidery, cloth, trims, 45 x 45 x 7cm
  • Looking (back), 2016, repurposed tea toel, embroidery, cloth, trims, 45 x 45 x 7cm
  • Plenty more fish in the sea (front), 2016, repurposed tea toel, embroidery, cloth, trims, 27 x 36 x 7cm
  • Plenty more fish in the sea (back), 2016, repurposed tea toel, embroidery, cloth, trims, 27 x 36 x 7cm
  • Catch of the day (back), 2016, repurposed tea toel, embroidery, cloth, trims, 27 x 36 x 7cm
  • Vacate (back), 2016, repurposed tea toel, embroidery, cloth, trims, 26 x 44 x 7cm
  • Vacate (front), 2016, repurposed tea toel, embroidery, cloth, trims, 26 x 44 x 7cm
  • Going Going Gone, Installation of Lasiorhinus Krefftii, 2016, decoupage on plastic forms, embroidered doilies, old blind, 11 x 11 x 7cm (objects)
  • Changing landscape, Appetiser, collection of plates, 2016, Oil or pyrography on repurposed plate, 35 x 35cm
  • Motherfish ?(back), 2016, repurposed tea toel, embroidery, cloth, trims, 27 x 36 x 7cm
  • Motherfish ?(front), 2016, repurposed tea toel, embroidery, cloth, trims, 27 x 36 x 7cm
  • Stocks (back), 2016, repurposed tea toel, embroidery, cloth, trims, 27 x 36 x 7cm
  • Stocks (front), 2016, repurposed tea toel, embroidery, cloth, trims, 27 x 36 x 7cm
  • Catch of the day (front), 2016, repurposed tea toel, embroidery, cloth, trims, 27 x 36 x 7cm
  • Appetiser, collection of painted plates, 2016, Oil on repurposed plate, 15 - 17cm diameter
  • Bread and butter, collection of painted plates, 2016, Oil on repurposed plate, 15 - 17cm diameter
  • The See, 2016, Oil on board, wood, steel, knob, curtain, condiment packaging and glitter, oil on ceramic plate, 70 x 60 x 17cm
  • Inuit, 2016, Oil on repurposed amber glass, 23 x 10 x 4cm
  • Departs (front), 2016, repurposed tea toel, embroidery, cloth, trims, 26 x 44 x 7cm
  • Departs (back), 2016, repurposed tea toel, embroidery, cloth, trims, 26 x 44 x 7cm
  • What goes around, 2016, Pyrography, wooden cheese rounds on repurposed embroidery on board, 35 x 46 x 5cm
  • Offering plate, repurposed table, tablecloth, discarded packaging, carpet, small table, lamp, 140 x 90cm

Piecemeal, solo exhibition at The Front Cafe and Gallery, 2016

  • Imitate to produce, 2015, Acrylic on board, 30 x 25cm
  • Get away with, 2015, Acrylic on board, 30 x 25cm
  • Disturb the comfortable, 2015, Acrylic on board, 30 x 25cm
  • Plagiarism or revolution, 2015, Acrylic on board, 30 x 25cm
  • Lamb Aspic, 2015, oil on board, 35 x 40cm
  • Confectionary, 2015, oil on board, 35 x 40cm
  • Cochinillo Asado, 2015, oil on board, 35 x 40cm
  • Besugo Al Horno, 2015, oil on board, 35 x 40cm

Bubble’n’squeak, group exhibition with Dash Kossmann and Fran Meatheringham at M16 Gallery, 2015

  • Contemplating our habitat, 2015, oil on board and canvas, acrylic and gouache on hinged board, 200 x 200cm (individual components vary in size), photo by Brenton McGeachie
  • Contemplating our habitat (detail), photo by Brenton McGeachie
  • Contemplating our habitat, exhibition view of Blaze 9, photo by Brenton McGeachie

Blaze 9, group exhibition showcasing emerging artists at CCAS, 2015

  • Heavy downpours forecast (Spring), 2014, oil on board & turned wood, 40x 40cm
  • Continuing trend to hotter weather (Summer), 2014, oil on board & turned wood, 40 x 40cm
  • The spectacle of destruction (Autumn), 2014, oil on board, 40 x 40cm
  • No limit to our predation (Winter), 2014, oil on board, oil and acrylic on hinged plywood, 40 x 40cm (closed)
  • No limit to our predation (Winter), 2014, oil on board, oil and acrylic on hinged plywood, 40 x 70cm (open)
  • Hottest summer on record, 2014, oil and acrylic on linen and hinged pine, 30 x 50cm (closed)
  • Hottest summer on record, 2014, oil and acrylic on linen and hinged pine, 45 x 50cm (open)
  • A burning issue, 2013, oil and acrylic on canvas and hinged plywood, 38 x 55cm (open)
  • A burning issue, 2013, oil and acrylic on canvas and hinged plywood, 38 x 28cm (closed)
  • Storm events, bigger, harder, faster, stronger, 2014, Oil and acrylic on canvas and hinged plywood, 30 x 15cm (closed)
  • Storm events, bigger, harder, faster, stronger, 2014, Oil and acrylic on canvas and hinged plywood, 30 x 43cm (open)
  • State of emergency, 2014, oil on board and glass, wooden housing with glass doors, 57 x 42cm (closed)
  • State of emergency, 2014, oil on board and glass, wooden housing with glass doors, 57 x 70cm (open)
  • Dirty clean coal, 2014, oil on linen and acrylic on hinged plywood, 41 x 30cm (closed)
  • Dirty clean coal, 2014, oil on linen and acrylic on hinged plywood, 41 x 67cm (open)
  • Bogged down in the Boggabri, 2014, oil on board and glass, wooden housing with glass doors, 53 x 39cm (closed)
  • Bogged down in the Boggabri, 2014, oil on board and glass, wooden housing with glass doors, 53 x 55cm (open)
  • A remarkable uncontrolled experiment (backview), 2014, oil on linen,acrylic and oil on hinged wood, silver leaf, 57 x 67cm
  • A remarkable uncontrolled experiment (frontview), 2014, oil on linen,acrylic and oil on hinged wood, silver leaf, 57 x 67cm

Observation, a solo exhibition at M16, 2014

  • Wajima nuri neko 2014 shellac, enamel &oil paint on plastic, cord, metal bell, silk, plastic button, polyester filling 27 x 19 x 16cm
  • Fascination 2014 gold leaf on ceramic, oil on wood, acrylic on wood, glass, metal, silk, polyester filling, led lights 73 x 25 x 26cm
  • Tale of the Dream Cat 2014 clay, acrylic paint, ink, cotton, metal bell and tag 22x 18x 16cm
  • Make wish for immediate realisations (or George for short) 2014 acrylic paint, gold leaf on plastic, silk, polyester filling, wood, laminate, chipboard 29x 16x 15cm
  • In kyōmachi A cat rowling for love Heads to Ageyamachi Takarai Kikaku (1661-1707) 2014 oil and gold leaf on canvas 27x 19x 8cm
  • Drink life 2014 aluminium can over plaster, cord, metal bell 12x 19x 9cm
  • Very Bitter 2014 aluminium can over plaster, cord, metal bell, plastic tray, synthetic cloth 12x 30x 20cm
  • Trillion dollar cat 2014 Paper on plastic, cord, metal bell 20x 15x 11.5cm
  • Stardust in my eyes 2014 glitter, plastic stars and rhinestones on ceramic, plaster 11x 8x 8cm
  • Lucky 8, 2014 watercolour, gouache, gold pigment on paper 39 x 53 cm
  • D. Kitty 2014 bank notes on ceramic, silk, polyester filling 13 x 12 x 12 cm
  • Old widow of Edo and her cat 2014 oil on canvas 51x 51cm
  • Open Happiness 2014 Acrylic on ceramic 13 x 12 x 12 cm
  • Premium Grade 2014 oil on ceramic, cling wrap, Styrofoam, paper, silk, polyester filling 13 x 14 x 14 cm
  • Throwaway 2014 aluminium can on zinc rod, aluminium frame, steel nuts 215x 80x 2cm
  • Nyan 2014 oil and gold leaf on canvas 27x 19x 8cm
  • Lucky 7, charcoal & pencil on paper 39 x 53 cm
  • Glamour puss 2014 acrylic paint, rhinestones on plastic, silk, polyester filling 17x 15x 13cm
  • Get lucky 2014 paper on plastic, rhinestones, acrylic paint on plastic, metal bell, chain, silk, polyester 27x 19x16cm

Not waving, my first solo exhibition all about maneki neko, CCAS Manuka, 2014

Powered by
►
Necessary cookies enable essential site features like secure log-ins and consent preference adjustments. They do not store personal data.
None
►
Functional cookies support features like content sharing on social media, collecting feedback, and enabling third-party tools.
None
►
Analytical cookies track visitor interactions, providing insights on metrics like visitor count, bounce rate, and traffic sources.
None
►
Advertisement cookies deliver personalized ads based on your previous visits and analyze the effectiveness of ad campaigns.
None
Powered by