• How, 2024, egg tempera, copper gilding on gesso board, 20 x 20cm, photo by artist
  • Pink's grasp, 2024, egg tempera, copper gilding on gesso board, 20 x 20cm, photo by artist
  • Galah's clutch, 2024, egg tempera, silver gilding on gesso board, 20 x 20cm, photo by artist
  • Who, 2024, egg tempera, silver gilding on gesso board, 20 x 20cm, photo by artist
  • Where, 2024, egg tempera, gold gilding on gesso board, 20 x 20cm, photo by artist
  • Scarlett's embrace, 2024, egg tempera, gold gilding on gesso board, 20 x 20cm, photo by artist
  • LOOP exhibition view of Who, How, When and friends - egg tempera works
  • Michele England at LOOP exhibition
  • Brake fast, 2024, mixed media, 27 x 39 cm, phot by artist
  • T Time, 2024, mixed media textile, 36 x 39cm, photo by artist
  • LOOP view of exhibition
  • Michele England, Jo Mahler-Fenderson, Yalan Chen at LOOP opening, Barton ArtBox, 2024
  • Jo Mahler-Fenderson at installation of LOOP
  • Yalan Chen with some of her artwork from LOOP

Looking After Our Planet (LOOP), with Jo Mahler Fenderson and Yalan Chen, at Barton Artbox 2024

  • Heavy flight: to look beyond, 2024, Pigment print on Hahnemühle photo rag, silver leaf, metal wire, glass beads, textile cord unique state, 90 x 30cm, photo Brenton McGeachie
  • Heavy flight: stance of forgiveness, 2024, Pigment print on Hahnemühle photo rag, silver leaf, metal wire, glass beads, textile cord unique state, 90 x30cm, photo Brenton McGeachie
  • Heavy flight: ruffled by thoughts, 2024, Pigment print on Hahnemühle photo rag, silver leaf, metal wire, glass beads, textile cord unique state, 90 x 30cm, photo Brenton McGeachie
  • Breaking ground exhibition view, photo Brenton McGeachie
  • Breaking ground exhibition view, photo Brenton McGeachie
  • Breaking ground exhibition view, photo Brenton McGeachie
  • Breaking ground exhibition view, photo Brenton McGeachie
  • Breaking ground exhibition view of participatory floor pieces, photo Brenton McGeachie
  • Breaking ground exhibition view of participatory floor pieces, photo Brenton McGeachie
  • Breaking ground exhibition view, photo Brenton McGeachie
  • A walk by the Murrumbidgee in High Summer, 2024, 120 x 100, oil on wooden panel, Photo Brenton McGeachie
  • Breaking ground exhibition view, photo Brenton McGeachie
  • Compromised beauty,2023, mixed media,160 x 60cm, photo Brenton McGeachie
  • Breaking ground exhibition view, photo Brenton McGeachie
  • Breaking ground exhibition view, photo Brenton McGeachie
  • Breaking ground exhibition view, photo Brenton McGeachie
  • Altar'd: raven at my table (blue), 2024, Mahogony, reclaimed art frame, rhinestones, plastic bottle lids, gouache, rabbit skin glue, metal hinges, 25 x 14cm(closed), side view, photo Brenton McGeachie
  • Altar'd: raven at my table (blue), 2024, Mahogony, reclaimed art frame, rhinestones, plastic bottle lids, gouache, rabbit skin glue, metal hinges, 25 x 14cm(closed), front view, photo Brenton McGeachie
  • Altar'd, talking to the birds (black) ,2024 ,mixed media, 25 x 14cm closed, front view, photo Brenton McGeachie
  • Altar'd, talking to the birds (green), 2024, mixed media, 25 x 14cm closed, side view, photo Brenton McGeachie
  • Altar'd, talking to the birds (green), 2024, mixed media, 25 x 14cm closed, front view, photo Brenton McGeachie
  • Breaking ground exhibition view, photo Brenton McGeachie
  • Breaking ground exhibition view, photo Brenton McGeachie
  • Breaking ground exhibition, weeds and wildlife set of 6, photo Brenton McGeachie
  • Breaking ground exhibition, weeds and wildlife set of 2, photo Brenton McGeachie
  • Weeds and wildlife: thistle flower and flutter, 2024, mixed media, 74 x 33cm, photo Brenton McGeachie
  • Weeds and wildlife: St John’s wort and not so creepy crawly, 2024, mixed media, 98 x 28cm, photo Brenton McGeachie
  • Breaking ground exhibition, weeds and wildlife set of 2, photo Brenton McGeachie
  • Weeds and wildlife: callistemon and busy worker, 2024, mixed media, 91 x 26cm, photo Brenton McGeachie
  • Weeds and wildlife: nightshade et le papillon de nuit, 2024, mixed media, 43 x 29cm, photo Brenton McGeachie
  • Breaking ground exhibition, weeds and wildlife set of 2, photo Brenton McGeachie
  • Weeds and wildlife: Verbascum and prayer, 2024, mixed media, 79 x 24cm, Photo Brenton McGeachie

Breaking Ground: Chaos theory and The Valley with Heidi Smith, at TAC, 2024

  • Il faut cultiver notre jardin exhibition view of 16 works, 2024, egg tempera on traditional gesso boards, 13 x 13cm each, photo Brenton McGeachie
  • Il faut cultiver notre jardin exhibition view of 8 works, 2024, egg tempera on traditional gesso boards, 13 x 13cm each, photo Brenton McGeachie
  • Il faut cultiver notre jardin exhibition view of 8 works, 2024, egg tempera on traditional gesso boards, 13 x 13cm each, photo Brenton McGeachie
  • Il faut cultiver notre jardin exhibition view, photo Brenton McGeachie
  • Pray for us: charming emergence, 2024, mixed media, 43 x 28cm, photo Brenton McGeachie
  • Pray for us: peaceful prosperity, 2024, Studio made inks, watercolour, reclaimed beads, trinkets and doily, charcoal, graphite, rice paper on paper, 45 x 29.5cm, photo Brenton McGeachie
  • Pray for us: life capsules, 2024, Studio made inks, watercolour, reclaimed beads, trinkets and doily, charcoal, graphite, rice paper on paper, 45 x 29.5cm, photo Brenton McGeachie
  • Pray for us: continual unfurling, 2024, Studio made inks, watercolour, reclaimed beads and trinkets, charcoal, graphite, rice paper on paper, 45 x 29.5 cm, photo Brenton McGeachie
  • Il faut cultiver notre jardin exhibition view, photo Brenton McGeachie
  • Il faut cultiver notre jardin exhibition view, photo Brenton McGeachie
  • The toil of many in a single pursuit, 2023, egg tempera, graphite, rice paper on board, 40 x 40cm, photo Brenton McGeachie
  • Slow down and admire her quiet determination, 2023, egg tempera, graphite, rice paper on board, 40 x 40cm, photo Brenton McGeachie
  • Life through death in a continual cycle, 2023, egg tempera, graphite, rice paper on board, 40 x 40cm, photo Brenton McGeachie
  • Il faut cultiver notre jardin exhibition view, photo Brenton McGeachie
  • Il faut cultiver notre jardin exhibition view, photo Brenton McGeachie
  • Wonderful wren, 2023, egg tempera, faux fur scrap, faux silver leaf, reclaimed beads and trinkets on board, 36 x 24cm, photo Brenton McGeachie
  • Il faut cultiver notre jardin exhibition view, photo Brenton McGeachie
  • Espirit d'jardin, 2024, egg tempera and gold leaf on traditional gesso boards, 240 x 140cm, photo Brenton McGeachie
  • Il faut cultiver notre jardin exhibition view, photo Brenton McGeachie
  • Il faut cultiver notre jardin exhibition view, photo Brenton McGeachie
  • Il faut cultiver notre jardin exhibition view, photo Brenton McGeachie
  • Rose and friends: a gift of love, 2024, oil on board, 50 x 40cm, photo Brenton McGeachie
  • Peony and friends: a gift for you, 2024, oil on board, 50 x 40cm, Photo Brenton McGeachie
  • Lily and friends: a gift from the garden, 2024, oil on board, 50 x 40cm, photo Brenton McGeachie
  • Joyous wren, 2023, Egg tempera, faux fur scrap, faux silver leaf, reclaimed glass beads and trinkets on board, 36 x 24cm, photo Brenton McGeachie
  • Il faut cultiver notre jardin exhibition view, photo Brenton McGeachie
  • Softly revealing, 2024, egg tempera, graphite, rice paper, faux copper leaf on board, 40 x 25cm, photo Brenton McGeachie
  • The promise of life when the cold bites hard, 2024, Egg tempera, graphite, rice paper, faux gold leaf on board, 40 x 25cm, photo Brenton McGeachie
  • Just a few feathers, was all that remained, 2024, egg tempera, graphite, rice paper, faux silver leaf on board, 40 x 25cm, photo Brenton McGeachie
  • Il faut cultiver notre jardin exhibition view, photo Brenton McGeachie

Il faut cultiver notre jardin, solo at ANCA Gallery 2024

4 painting/ mixed media series for the Master of Philosophy completed at Australian National University 2020 – 2022

It started with a flash and ended in a flood, 188 x 167cm, 2019
It started with a flash and ended in a flood, 188 x 167cm, 2019
  • Not so vacant possession, 2018, screen printed reclaimed fabric, wool and cotton thread, woollen blanket, cotton wadding, 75 x 66cm, photo Brenton McGeachie
  • Not so vacant possession, 2018, screen printed reclaimed fabric, wool and cotton thread, woollen blanket, cotton wadding, 75 x 66cm, photo Brenton McGeachie
  • Not so vacant possession, 2018, screen printed reclaimed fabric, wool and cotton thread, woollen blanket, cotton wadding, 75 x 66cm, photo Brenton McGeachie
  • The downtrodden, 2018, screen printed reclaimed fabric, plastic chain and figures, enamel paint, cotton thread, woollen blanket, cotton wadding, 86 x 108cm, photo Brenton McGeachie
  • The downtrodden, 2018, screen printed reclaimed fabric, plastic chain and figures, enamel paint, cotton thread, woollen blanket, cotton wadding, 86 x 108cm, photo Brenton McGeachie
  • The downtrodden, 2018, screen printed reclaimed fabric, plastic chain and figures, enamel paint, cotton thread, woollen blanket, cotton wadding, 86 x 108cm, photo Brenton McGeachie
  • There’s no place like home, 2018, screen printed reclaimed fabric and map, wool and cotton thread, woollen blanket, cotton wadding, 62 x 52cm, photo Brenton McGeachie
  • There’s no place like home, 2018, screen printed reclaimed fabric and map, wool and cotton thread, woollen blanket, cotton wadding, 62 x 52cm, photo Brenton McGeachie
  • On the brink, 2018, screen printed reclaimed fabrics, plastic barrier tape, buttons, woollen blanket, cotton wadding, 105 x 79cm, photo Brenton McGeachie
  • On the brink, 2018, screen printed reclaimed fabrics, plastic barrier tape, buttons, woollen blanket, cotton wadding, 105 x 79cm, photo Brenton McGeachie
  • On the brink, 2018, screen printed reclaimed fabrics, plastic barrier tape, buttons, woollen blanket, cotton wadding, 105 x 79cm, photo Brenton McGeachie
  • On the brink, 2018, screen printed reclaimed fabrics, plastic barrier tape, buttons, woollen blanket, cotton wadding, 105 x 79cm, photo Brenton McGeachie
  • State of emergency, 2018, screen printed reclaimed fabric, brass safety pins, bandage, cotton thread, hospital blanket, cotton wadding, 62 x 54cm, photo Brenton McGeachie
  • State of emergency, 2018, screen printed reclaimed fabric, brass safety pins, bandage, cotton thread, hospital blanket, cotton wadding, 62 x 54cm, photo Brenton McGeachie
  • Fragments, 2018, screen printed reclaimed fabrics, builders synthetic line, cotton thread, heart charms, woollen blanket, cotton wadding, 68 x 51cm, photo Brenton McGeachie
  • Fragments, 2018, screen printed reclaimed fabrics, builders synthetic line, cotton thread, heart charms, woollen blanket, cotton wadding, 68 x 51cm, photo Brenton McGeachie
  • Fragments, 2018, screen printed reclaimed fabrics, builders synthetic line, cotton thread, heart charms, woollen blanket, cotton wadding, 68 x 51cm, photo Brenton McGeachie
  • Landscape divided, 2018, screen printed reclaimed fabric, cotton thread, bed sheet, cotton wadding, 200 x 200cm, photo Brenton McGeachie
  • Landscape divided, 2018, screen printed reclaimed fabric, cotton thread, bed sheet, cotton wadding, 200 x 200cm, photo Brenton McGeachie
  • Tea towels made for Woodlands and Wetlands Trust, Nature Coast Marine Group, Foundation for Australias Most Endangered, Conservation Council ACT region, Photo Brenton McGeachie
  • Remnants exhibition, held CCAS Manuka 15 - 25/11/18. Photo Brenton McGeachie
  • Remnants exhibition, held CCAS Manuka 15 - 25/11/18. Photo Brenton McGeachie
  • Remnants exhibition, held CCAS Manuka 15 - 25/11/18. Photo Brenton McGeachie

Remnants, 2018

Rising tides and sunk dreams, 160 x 120cm, 2018
Rising tides and sunk dreams, 160 x 120cm, 2018
  • A set of reclaimed plates featuring Gymnobelideus leadbeateri (Leadbeaters possum), barrier tape and logging operations, based around Gippsland logging
  • detail of Leadbeaters possum (Gymnobelideus leadbeateri)on pink lattice plate
  • Leave our trees (front), 2018, 50 x 50 x 8, cotton velvet and reclaimed teatowel, haberdashery trim, cotton embroidery with feather filling
  • Leave our trees (back), 2018, 50 x 50 x 8, cotton velvet and reclaimed teatowel, haberdashery trim, cotton embroidery with feather filling
  • Going, going, gone, (front), 2018, 50 x 50 x 8, linen and reclaimed teatowel, cotton & wool embroidery with feather filling
  • Going, going, gone, (back), 2018, 50 x 50 x 8, linen and reclaimed teatowel, cotton & wool embroidery with feather filling
  • Altered States without video overlay
  • Altared States video install (dinasours 2017 video and audio projection 1:38 minutes) last day of Templum exhibition
  • Altared States - central panel
  • Altared States - central panel
  • Altared States - right panel
  • The templum viewing point, INstrallation as part of Altered States. Templum exhibition 2017
  • Altered States - with video overlay. No paintings
  • Ursus maritimus(too little ice) & Pusa hispida, 2017, 19x4, 13x13, gouache on repurposed plate and wallpaper
  • Ursus maritimus(too little ice) & Pusa hispida (detail)
  • Ursus maritimus(too little ice)
  • Fratercula & Clupea harengus (too slow) (detail of puffin)
  • Burramys parvus (too late) & Agrotis infusa, 2017, 30x23, 22 diameter, gouache on wood and repurposed doily
  • Burramys parvus (too late) & Agrotis infusa, 2017, 30x23, 22 diameter, gouache on wood and repurposed doily
  • Too late, the brood has hatched, 2017, 35x30x8, repurposed wooden box, velvet, eggs, plaster, old aperitif glasses, repuposed doily, LED lights
  • Too late, the brood has hatched, 2017, 35x30x8, repurposed wooden box, velvet, eggs, plaster, old aperitif glasses, repuposed doily, LED lights
  • Spring flowers are waning, 2017, 35x22x17, repurposed wooden box, velvet, glass bottles, paper on wood, wind up music box, old glass figurine, repuposed doily, wool, LED lights
  • Spring flowers are waning, 2017, 35x22x17, repurposed wooden box, velvet, glass bottles, paper on wood, wind up music box, old glass figurine, repuposed doily, wool, LED lights
  • Sleeping through the glut, 2017, 33x20x6, repurposed wooden box, old textiles, decoupage, wind up music box, old clock parts, wool, faux flowers
  • Sleeping through the glut, 2017, 33x20x6, repurposed wooden box, old textiles, decoupage, wind up music box, old clock parts, wool, faux flowers
  • Sleeping through the glut, 2017, 33x20x6, repurposed wooden box, old textiles, decoupage, wind up music box, old clock parts, wool, faux flowers
  • Great white bear, nowhere to hide, 2017, 29x20x12, repurposed wooden box, decoupage with ink, old handle, fur, gouache on wood, wind up music box, jewellary, plastic bottle
  • Great white bear, nowhere to hide, 2017, 29x20x12, repurposed wooden box, decoupage with ink, old handle, fur, gouache on wood, wind up music box, jewellary, plastic bottle
  • Great white bear, nowhere to hide, 2017, 29x20x12, repurposed wooden box, decoupage with ink, old handle, fur, gouache on wood, wind up music box, jewellary, plastic bottle
  • Great white bear, nowhere to hide, 2017, 29x20x12, repurposed wooden box, decoupage with ink, old handle, fur, gouache on wood, wind up music box, jewellary, plastic bottle
  • Out of balance, 2017, 37x25x12, repurposed wooden box, velvet, oil on glass, shells, faux pearls, LED lights, napkin ring, fimo, brass knob
  • Hoping between the ice, 2017, 48x35x10, wood, old doily, plastic figurines, decoupage, old crystal trinket holders, oil on wood
  • hoping between the ice, 2017, 48x35x10, wood, old doily, plastic figurines, decoupage, old crystal trinket holders, oil on wood
  • Installation view of boards, 2016
  • Lasiorhinus Krefftii,2016, Gouache on board, 18 x 12cm
  • Psuedophryne corroboree, 2016, Guoache on board, 24 x 9cm
  • Lasiorhinus Krefftii,2016, Gouache on board, 18 x 12cm
  • Burramys Parvus, 2016, Guoache on board, 47 x 22cm
  • Acanthornis magna greeniana, 2016, guoache on board, 16 x 12cm
  • Going Going Gone, Installation of Lasiorhinus Krefftii, 2016, decoupage on plastic forms, embroidered doilies, old blind, 11 x 11 x 7cm (objects)
  • Looking (front), 2016, repurposed tea toel, embroidery, cloth, trims, 45 x 45 x 7cm
  • Looking (back), 2016, repurposed tea toel, embroidery, cloth, trims, 45 x 45 x 7cm
  • Vacate (front), 2016, repurposed tea toel, embroidery, cloth, trims, 26 x 44 x 7cm
  • Vacate (back), 2016, repurposed tea toel, embroidery, cloth, trims, 26 x 44 x 7cm
  • Departs (front), 2016, repurposed tea toel, embroidery, cloth, trims, 26 x 44 x 7cm
  • Departs (back), 2016, repurposed tea toel, embroidery, cloth, trims, 26 x 44 x 7cm
  • The See, 2016, Oil on board, wood, steel, knob, curtain, condiment packaging and glitter, oil on ceramic plate, 70 x 60 x 17cm
  • Inuit, 2016, Oil on repurposed amber glass, 23 x 10 x 4cm
  • Stocks (front), 2016, repurposed tea toel, embroidery, cloth, trims, 27 x 36 x 7cm
  • Stocks (back), 2016, repurposed tea toel, embroidery, cloth, trims, 27 x 36 x 7cm
  • Plenty more fish in the sea (front), 2016, repurposed tea toel, embroidery, cloth, trims, 27 x 36 x 7cm
  • Plenty more fish in the sea (back), 2016, repurposed tea toel, embroidery, cloth, trims, 27 x 36 x 7cm
  • Catch of the day (front), 2016, repurposed tea toel, embroidery, cloth, trims, 27 x 36 x 7cm
  • Catch of the day (back), 2016, repurposed tea toel, embroidery, cloth, trims, 27 x 36 x 7cm
  • Motherfish ?(front), 2016, repurposed tea toel, embroidery, cloth, trims, 27 x 36 x 7cm
  • Motherfish ?(back), 2016, repurposed tea toel, embroidery, cloth, trims, 27 x 36 x 7cm
  • Bread and butter, collection of painted plates, 2016, Oil on repurposed plate, 15 - 17cm diameter
  • What goes around, 2016, Pyrography, wooden cheese rounds on repurposed embroidery on board, 35 x 46 x 5cm
  • Appetiser, collection of painted plates, 2016, Oil on repurposed plate, 15 - 17cm diameter
  • Changing landscape, Appetiser, collection of plates, 2016, Oil or pyrography on repurposed plate, 35 x 35cm
  • Offering plate, repurposed table, tablecloth, discarded packaging, carpet, small table, lamp, 140 x 90cm
  • Lamb Aspic, 2015, oil on board, 35 x 40cm
  • Confectionary, 2015, oil on board, 35 x 40cm
  • Besugo Al Horno, 2015, oil on board, 35 x 40cm
  • Cochinillo Asado, 2015, oil on board, 35 x 40cm
  • Get away with, 2015, Acrylic on board, 30 x 25cm
  • Plagiarism or revolution, 2015, Acrylic on board, 30 x 25cm
  • Disturb the comfortable, 2015, Acrylic on board, 30 x 25cm
  • Imitate to produce, 2015, Acrylic on board, 30 x 25cm
  • Great Scott, oil on wood, 2015. The Delorean comes Back to the Future having made some unexpected changes
  • Great Scott, oil on wood, 2015. This piece has a wing that opens and closes
  • Great Scott, oil on wood, 2015. I made this one off piece for the CCAS member show 2015
  • Great Scott, oil on wood, 2015. I used a thin piece of ply and placed the heavier pine on top
  • Great Scott, oil on wood, 2015. This view shows wing open. The Delorean has arrived in the SOund of Music with an altered future
  • Contemplating our habitat, 2015, oil on board and canvas, acrylic and gouache on hinged board, 200 x 200cm (individual components vary in size), photo by Brenton McGeachie
  • Contemplating our habitat (detail), photo by Brenton McGeachie
  • Contemplating our habitat, exhibition view of Blaze 9, photo by Brenton McGeachie
  • Heavy downpours forecast (Spring), 2014, oil on board & turned wood, 40x 40cm
  • Continuing trend to hotter weather (Summer), 2014, oil on board & turned wood, 40 x 40cm
  • The spectacle of destruction (Autumn), 2014, oil on board, 40 x 40cm
  • No limit to our predation (Winter), 2014, oil on board, oil and acrylic on hinged plywood, 40 x 40cm (closed)
  • No limit to our predation (Winter), 2014, oil on board, oil and acrylic on hinged plywood, 40 x 70cm (open)
  • Hottest summer on record, 2014, oil and acrylic on linen and hinged pine, 30 x 50cm (closed)
  • Hottest summer on record, 2014, oil and acrylic on linen and hinged pine, 45 x 50cm (open)
  • A burning issue, 2013, oil and acrylic on canvas and hinged plywood, 38 x 55cm (open)
  • A burning issue, 2013, oil and acrylic on canvas and hinged plywood, 38 x 28cm (closed)
  • Storm events, bigger, harder, faster, stronger, 2014, Oil and acrylic on canvas and hinged plywood, 30 x 15cm (closed)
  • Storm events, bigger, harder, faster, stronger, 2014, Oil and acrylic on canvas and hinged plywood, 30 x 43cm (open)
  • State of emergency, 2014, oil on board and glass, wooden housing with glass doors, 57 x 42cm (closed)
  • State of emergency, 2014, oil on board and glass, wooden housing with glass doors, 57 x 70cm (open)
  • Dirty clean coal, 2014, oil on linen and acrylic on hinged plywood, 41 x 30cm (closed)
  • Dirty clean coal, 2014, oil on linen and acrylic on hinged plywood, 41 x 67cm (open)
  • Bogged down in the Boggabri, 2014, oil on board and glass, wooden housing with glass doors, 53 x 39cm (closed)
  • Bogged down in the Boggabri, 2014, oil on board and glass, wooden housing with glass doors, 53 x 55cm (open)
  • A remarkable uncontrolled experiment (backview), 2014, oil on linen,acrylic and oil on hinged wood, silver leaf, 57 x 67cm
  • A remarkable uncontrolled experiment (frontview), 2014, oil on linen,acrylic and oil on hinged wood, silver leaf, 57 x 67cm
  • Wajima nuri neko 2014 shellac, enamel &oil paint on plastic, cord, metal bell, silk, plastic button, polyester filling 27 x 19 x 16cm
  • Fascination 2014 gold leaf on ceramic, oil on wood, acrylic on wood, glass, metal, silk, polyester filling, led lights 73 x 25 x 26cm
  • Tale of the Dream Cat 2014 clay, acrylic paint, ink, cotton, metal bell and tag 22x 18x 16cm
  • Make wish for immediate realisations (or George for short) 2014 acrylic paint, gold leaf on plastic, silk, polyester filling, wood, laminate, chipboard 29x 16x 15cm
  • In kyōmachi A cat rowling for love Heads to Ageyamachi Takarai Kikaku (1661-1707) 2014 oil and gold leaf on canvas 27x 19x 8cm
  • Drink life 2014 aluminium can over plaster, cord, metal bell 12x 19x 9cm
  • Very Bitter 2014 aluminium can over plaster, cord, metal bell, plastic tray, synthetic cloth 12x 30x 20cm
  • Trillion dollar cat 2014 Paper on plastic, cord, metal bell 20x 15x 11.5cm
  • Stardust in my eyes 2014 glitter, plastic stars and rhinestones on ceramic, plaster 11x 8x 8cm
  • Lucky 8, 2014 watercolour, gouache, gold pigment on paper 39 x 53 cm
  • D. Kitty 2014 bank notes on ceramic, silk, polyester filling 13 x 12 x 12 cm
  • Old widow of Edo and her cat 2014 oil on canvas 51x 51cm
  • Open Happiness 2014 Acrylic on ceramic 13 x 12 x 12 cm
  • Premium Grade 2014 oil on ceramic, cling wrap, Styrofoam, paper, silk, polyester filling 13 x 14 x 14 cm
  • Throwaway 2014 aluminium can on zinc rod, aluminium frame, steel nuts 215x 80x 2cm
  • Nyan 2014 oil and gold leaf on canvas 27x 19x 8cm
  • Lucky 7, charcoal & pencil on paper 39 x 53 cm
  • Glamour puss 2014 acrylic paint, rhinestones on plastic, silk, polyester filling 17x 15x 13cm
  • Get lucky 2014 paper on plastic, rhinestones, acrylic paint on plastic, metal bell, chain, silk, polyester 27x 19x16cm
  • La Chinoise poster, 2016, Acrylic on canvas, 95 x 145cm
  • Bleu, 2016, Oil on board, 40 x 78cm
  • Les Enfants du Paradis poster, 2016, Acrylic on canvas, 95 x 145cm
  • Le passion de Jeanne d'Arc #2, 2016, Gouache on board, 38 x 18cm
  • Le passion de Jeanne d'Arc #3, 2016, Gouache on board, 25 x 18cm
  • Le passion de Jeanne d'Arc #1, 2016, Gouache on board, 25 x 18cm
  • Le grand Bleu poster, 2016, Acrylic on canvas, 95 x 145c
  • Un papillon francais #1, 2016, Gouache on board, 18 x 18cm
  • Un papillon francais #2, 2016, Gouache on board, 18 x 18cm
  • Un papillon francais #3, 2016, Gouache on board, 18 x 18cm
  • Le Cercle Rouge poster, 2016, Acrylic on canvas, 95 x 145cm
  • Le gnome, 2016, Gouache on board, 18 x 18cm
  • Lollipops, 2016, Gouache on board, 18 x 18cm
  • L'artichauts, 2016, Gouache on board, 18 x 18cm
  • Le lettre, le fabricant, 2016, Oil on canvas, 30 x 51cm
  • la Lettre, le recepteur, 2016, Oil on canvas, 30 x 51cm
  • Le clown, 2016, Gouache on board, 18 x 18cm
  • Le Jogleur, 2016, Gouache on board, 18 x 18cm
  • L'acrobate, 2016, Gouache on board, 18 x 18cm
  • La Haine poster, 2016, Acrylic on canvas, 95 x 145cm
  • Ancienne maison, 2016, Gouache on board, 18 x 18cm
  • Nouvelle maison, 2016, Gouache on board, 18 x 18cm
  • Chiens de Mon Oncle, 2016, Gouache on board, 18 x 18cm
  • Pepe le Moko poster, 2016, Acrylic on canvas, 95 x 145cm